'Simulacro” is an exercise about intimacy, repetition and endurance. On stage, two bodies in continuous action explore the limits of their proximity, the accentuation of exhaustion and the degenerative nature of the gesture. A diffuse space is created between the real and the staged, between the public and the private, enhancing states of vulnerability, expectation and tension. “Simulacro” is part of a set of actions and gestures present in the daily life of the two performers, crossed by fragments of shared memories, in a slow exercise of the transformation of bodies and their impulses. An immersive and conflicting object.